The end of the war meant the homecoming of the friends from Basdorf, with whom Brassens planned to create an anarchist-minded paper, Le Cri des Gueux (The villains' cry), which stopped after the first edition due to a lack of money. Prenez connaissance des points essentiels du protocole sanitaire. School Lycée Georges Brassens Retour à l'accueil Rive de Gier. C'est gratuit, ouvert à tous ! Later on, every time I wrote a song, I asked myself the question: would Bonnafé like it?" Brassens lived with his aunt Antoinette in the 14th arrondissement of Paris, where he taught himself to play piano. Saddened by the lack of poetic culture, Brassens spent most of his days in the library. .css-1o5pw2t{width:24px;height:24px;display:inline-block;vertical-align:middle;position:relative;overflow:hidden;top:-0.1em;fill:rgba(187,186,192,1);}.css-1o5pw2t::before{position:absolute;display:block;left:0;}.css-1o5pw2t::after{content:'';display:block;position:absolute;left:0;right:0;top:0;bottom:0;}.css-1o5pw2t svg{position:absolute;width:100%;height:100%;fill:inherit;display:block;left:0;top:0;right:0;bottom:0;}.css-1o5pw2t:hover,.css-1o5pw2t:focus{fill:rgba(117,114,128,1);}. Souhaitez-vous la remplacer ? Onténiente later became his right-hand man and his private secretary. Georges Charles Brassens (French pronunciation: ​[ʒɔʁʒ(ə) ʃaʁl bʁasɛ̃s]; 22 October 1921 – 29 October 1981) was a French singer-songwriter and poet. In 1967, he received the Grand Prix de Poésie of the Académie française. Brassens grew up in the family home in Sète with his mother, Elvira Dagrosa, father, Jean-Louis, half-sister, Simone (daughter of Elvira and her first husband, who was killed in World War I), and paternal grandfather, Jules. This page was last edited on 13 September 2020, at 11:38. He began working at a Renault car factory. Lycée Georges Brassens, Rive-de-Gier, France. Les Presses de la Cité, 1981. Brassens accepted and stayed there for twenty-two years. His friends who heard and liked his songs urged him to go and try them out in a cabaret, café or concert hall. Reading, for instance, a poem by Verlaine, he dissected it image by image, attentive to the slightest change in rhythm, analyzing the rhymes and the way they alternated. [4] His concert at Cardiff's Sherman Theatre in 1973 saw Jake Thackray — a great admirer of his work – open for him.[5]. He spent the summer in his home town, but soon returned to Paris, feeling that this was where his future lay. Brassens later commented on his early works: "In those times, I was only regurgitating what I had learned reading the poets. The song "À Brassens" ("To Brassens") from Jean Ferrat's album Ferrat was dedicated to Brassens. Création et innovations technologiques; Euro maths - Euro économie Sous-menu de la rubrique Euro maths - Euro économie. Menu. It was then that he set a pattern of rising at five in the morning, and going to bed at sunset – a pattern he maintained the greater part of his life. Brassens said in an interview: "An anarchist is a man who scrupulously crosses at the zebra crossing, because he hates to argue with the agents". The criticism is often indirect, focusing on the good deeds or innocence of others in contrast. La rubrique BIENVENUE AU LYCEE possède déjà une page d'accueil. En poursuivant votre navigation sur ce site, vous acceptez l'utilisation de cookies pour assurer le bon fonctionnement de nos services. Du 5 au 9 octobre, c'est la Fête de la science ! Many singers have covered Georges Brassens' lyrics in other languages, for instance Pierre de Gaillande, who translates Brassens' songs and performs them in English, Luis Cilia in Portuguese, Koshiji Fubuki in Japanese, Fabrizio De André (in Italian), Alberto Patrucco (in Italian), and Nanni Svampa (in Italian and Milanese), Graeme Allwright and Jake Thackray (in English), Sam Alpha (in creole), Yossi Banai (in Hebrew), Arsen Dedić (in Croatian), Jiří Dědeček (in Czech), Mark Freidkin (in Russian), Loquillo, Paco Ibáñez, Javier Krahe, Joaquín Carbonell and Eduardo Peralta (in Spanish), Jacques Ivart (in esperanto), Franz Josef Degenhardt and Ralf Tauchmann (in German), Mani Matter in Bernese Dialect, Zespół Reprezentacyjny (they released 2 CDs of Brassens' songs in Polish) and Piotr Machalica (in Polish), Cornelis Vreeswijk (Swedish) and Tuula Amberla (in Finnish). Lycée Georges Brassens (Rive de Gier) - Rive de Gier; Lycée Georges Brassens (Rouen) - Rouen; Lycée Georges Brassens (Réunion) - Sainte Clotilde, Réunion; Lycée Georges Brassens (Villepinte) - Villepinte, Seine-Saint-Denis; This disambiguation page lists articles associated with the title Lycée Georges Brassens. Lycée Georges Brassens Retour à l'accueil Rive de Gier. Création et innovations technologiques; Euro maths - Euro économie Sous-menu de la rubrique Euro maths - Euro économie. [citation needed] Many artists from Japan, Israel, Russia, the United States (where there is a Georges Brassens fan club), Italy and Spain have made cover versions of his songs. He resumed writing the novel he started in Basdorf, for only now did he consider a career as a famous novelist. Yelp is a fun and easy way to find, recommend and talk about what’s great and not so great in Rive De Gier and beyond. In May 1940 the factory was bombed, and France was invaded by Germany. A year after he arrived in Basdorf, Brassens was granted a ten-day furlough. Alphonse Bonnafé, Brassens's ninth-grade teacher, strongly encouraged his apparent gift for poetry and creativity. The police found and caught him, which caused a scandal. A nearby station of Tram line 3 in Paris is also named in Brassens' honour. Some of the perpetrators, unsupported by their families, spent time in prison. It was obvious to him and his new friends that he wouldn't come back. In March 1943, Brassens was requisitioned for the STO (Service du travail obligatoire) forced labour organisation in Germany. An international association of Georges Brassens fans exists and there is also a fan club in Berlin-Basdorf which organizes a Brassens festival every year in September. By this point, music had taken a slight backstage to poetry for Brassens, who now dreamed of being a writer. [clarification needed] Finally, Jeanne Planche came to his aid and offered to put him up as long as necessary. Georges stole a ring and a bracelet from his sister. Claim your business to immediately update business information, track page views, and more! de vous permettre d'accéder à des espaces réservés et personnels de notre site tels que votre compte à l'aide de vos identifiants. In 2008, the English folk-singer Leon Rosselson included a tribute song to Brassens, entitled "The Ghost of Georges Brassens", on his album A Proper State. Nonetheless, personal friendships and adolescence still defined Brassens in his teens. Jeanne lived with her husband Marcel in a hovel at 9 impasse Florimont, with no gas, water or electricity. He found time to write Bonhomme and Pauvre Martin, along with more than a hundred other songs, that were later either burned or frequently altered before they reached their final form (Le Mauvais sujet repenti). But the extravagance of the future songwriter wasn't to everybody's taste, and he soon had to leave the Federation, albeit without resentment. Création et innovations technologiques; Euro maths - Euro économie Sous-menu de la rubrique Euro maths - Euro économie. As Léautaud would say, I could do without laws [...] I think most people couldn’t.". Many schools, theatres, parks, public gardens, and public places are dedicated to Georges Brassens and his work, including: All of Georges Brassens' studio albums are untitled. Brassens took refuge in a small cul-de-sac called "Impasse Florimont," in the 14th arrondissement of Paris, a popular and working-class district, where he lived for several years with its owner, Jeanne Planche, a friend of his aunt. Apart from Paris and Sète, he lived in Crespières (near Paris) and in Lezardrieux (Brittany). His elegant use of florid language and dark humor, along with bouncy rhythms, often give a rather jocular feel to even the grimmest lyrics. He meticulously studied the great masters: Villon, Baudelaire, Verlaine and Hugo. A poor student, Brassens performed badly in school. Dieter Kaiser, a Belgian-German singer who performs in public concerts with the French-German professional guitarist Stéphane Bazire under the name Stéphane & Didier has translated into German language and gathered in a brochure 19 Brassens songs. Menu. He has also set to music poems by both well-known and relatively obscure poets, including Louis Aragon (Il n'y a pas d'amour heureux), Victor Hugo (La Légende de la Nonne, Gastibelza), Paul Verlaine, Jean Richepin, François Villon (La Ballade des Dames du Temps Jadis), and Antoine Pol (Les Passantes). MDL Lycée Georges Brassens, Rive-de-Gier, France. Puis lundi 21 et mardi 22 pour les classes de 1ère et Terminales. In Paris, he had to find a hideout, but he knew very few people. He composed using as his only instrument a small piece of furniture that he called "my drum" on which he beat out the rhythm. Menu. By Brassens's admission, Bonnafé's influence on his work was enormous: "We were thugs, at fourteen, fifteen, and we started to like poets. Les élèves doivent impérativement être munis de leur PASS REGION, Message d'informations à destination des familles, Par admin georges-brassens, publié le mardi 11 juin 2013 16:00 - Mis à jour le mardi 18 octobre 2016 15:45, Comité d'Education à la Santé et à la Citoyenneté, LA REFORME DU LYCEE GENERAL ET TECHNOLOGIQUE, Baccalauréat Professionnel Métier de l'Electricité et de ses Environnements Connectés, Baccalauréat Professionnel Technicien de Maintenance des Systèmes Energétiques et Climatiques, S.T.S Systèmes Numériques Option Informatique & Réseaux, STS Services Informatiques aux Organisations option Solution d'Infrastructures, Systèmes et Réseaux, Langues, littératures et cultures étrangères - ITALIEN, Protocole sanitaire - A lire absolument et à respecter. This environment imparted to Brassens a passion for singing that would come to define his life. Most of his texts are tinged with black humour and are often anarchist-minded. The young men were publicly characterized as "high school mobsters" or "scum" — voyous. 455 likes. He also translated among others the poem "Il n'y a pas d'amour heureux" of the French contemporary poet Louis Aragon. Brassens was born in Sète, a commune in the Hérault department of the Occitanie region, to a French father and an Italian mother from the town of Marsico Nuovo (in the province of Potenza, Basilicata).[1]. Pierre Berruer. d'établir des statistiques et volumes de fréquentation et d'utilisation des divers éléments composant notre site (nombre de pages vues, nombre de visites, activité, fréquence de retour, etc.). Lycée Georges Brassens Retour à l'accueil Rive de Gier. To get money, Georges and his gang started to steal from their families and others. Brassens developed an interest in verse and rhyme. Brassens had already been experimenting with songwriting and poetry. Most of the time the only other accompaniment came from his friend Pierre Nicolas with a double bass, and sometimes a second guitar (Barthélémy Rosso, Joël Favreau). d'adapter la présentation de notre site aux préférences d'affichage de votre terminal (langue, résolution d'affichage, système d'exploitation, etc.). Brassens composed about 250 songs, of which 200 were recorded, the other 50 remaining unfinished. Consequently, he never learned to read music. His mother, whom Brassens labeled a "missionary for songs" (militante de la chanson), came from southern Italy (Marsico Nuovo in Basilicata),[2] was a devout Roman Catholic, while his father was an easy-going, generous, openminded, anticlerical man. Franco-Cameroonian singer Kristo Numpuby also released a cover-album with the original French lyrics but adapted the songs to various African rhythms. The end of World War II and the freedom suddenly regained didn't change his habits much, except that he got his library card back and resumed studying poetry. The owner of a cafe told him that his songs were not the type he was looking for. Bonnafé aided his attempts at poetry and pushed him to spend more time on his schoolwork, suggesting he begin to study classical poetry. Page officielle de la Maison Des Lycéens du lycée Georges Brassens de Rive de Gier (42800). He drew on this enormous literary culture as he wrote his first collection of poems, Des coups d’épée dans l’eau, the conclusion of which foreshadowed the anarchism of his future songs: Brassens also published À la venvole in 1942, thanks to the money of his family and friends, and with the surprising help of a woman named Jeanne Planche, a neighbour of Antoinette, probably the first Brassens fan. He wrote and sang, with his guitar, more than a hundred of his poems. Accueil; ... LES OPTIONS AU LYCEE BRASSENS Sous-menu de la rubrique LES OPTIONS AU LYCEE BRASSENS. Accueil; ... LES OPTIONS AU LYCEE BRASSENS Sous-menu de la rubrique LES OPTIONS AU LYCEE BRASSENS. A propos des comptes ENT, Pronote, Turboself... Finalité des cookies utilisés sur le site. His songs have a major influence on many French singers across several generations, including Maxime Le Forestier, Renaud, Bénabar and others. A few trips to Belgium and Switzerland; a month in Canada (1961, recording issued on CD in 2011) and another in North Africa were his only trips outside France – except for his concerts in Wales in 1970 and 1973 (Cardiff). Georges Brassens in concert at the Théâtre national populaire, September–October 1966. Once put up at Jeanne Planche's, Georges had to stay hidden for five months, waiting for the war to come to an end. Georges Brassens – La marguerite et le chrysanthème. After being given ten days' leave in France, he decided not to return to the labor camp. Copyright © 2004–2020 Yelp Inc. Yelp, , and related marks are registered trademarks of Yelp. Brassens remained hidden there until the end of the war five months later, but ended up staying for 22 years. 541 likes. That is quite a transformation. In 2014, Australian-French duo Mountain Men released a live tribute album Mountain Men chante Georges Brassens.[7]. They would later become close friends. At age seventeen, he was implicated in crimes that would prove to be a turning point in his life. While Brassens's father was more forgiving and immediately picked up his son, Brassens was expelled from school. His approach to poetry was almost scientific. His songs have been translated into 20 languages, including Esperanto. Conformément aux dispositions de la loi du 6 janvier 1978 relative aux fichiers, à l'informatique et aux libertés, vous disposez d'un droit d'accès, de rectification et d'opposition aux données personnelles vous concernant. He later on made several appearances at the Paris Olympia under Bruno Coquatrix' management and at the Bobino music hall theater. Planche lived with her husband Marcel in relative poverty: without gas, running water, or electricity. [6] He accompanied himself on acoustic guitar. Brassens rarely performed abroad. Ce droit s'exerce en s'adressant au rectorat de votre académie qui coordonne ces réclamations. Lycée Georges Brassens in Rive De Gier, reviews by real people. After the failure of Le Cri des Gueux, Brassens joined the Anarchist Federation and wrote some virulent, black humour-tinged articles for Le Libertaire, the Federation's paper. Il s'applique à tous. He did not work, since employment would serve only to profit the occupying enemy. He was said to love music above all else: it was his first passion and the path that led him to his career. He had indeed led quite a lonely life in Paris, seeing only a friend from Sète and the girls. more than 50 doctoral dissertations have been written about Georges Brassens. His mother, Simone, and Jules, were always singing. He told his friend André Sève, "[It is] a kind of internal vibration, something intense, a pleasure that has something of the sensual to it." After 1952, Brassens rarely left France. At the same time, he set up the "Prehistoric Party" with Emile Miramont (a friend from Sète nicknamed "Corne d'Auroch" – the horn of an Aurochs, an ancient large bovine species) and André Larue (whom he met in Basdorf), which advocated the return to a more modest way of life, but whose chief purpose was to ridicule the other political parties. Several famous singers came into the music industry this way, including Jacques Brel and Léo Ferré.